Marvel Studios' latest web-slinging outing blends practical stunt work, a stacked supporting cast and an emotionally isolated Peter Parker into one of the studio's most confident films in years.
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"Spider-Man: Brand New Day" opened to $360 million domestically and $927 million worldwide this weekend, the biggest domestic opening and the second-biggest global debut in box office history, trailing only 2019's "Avengers: Endgame," which opened to $357.1 million.
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After grossing just $113 million against a reported $170 million budget, "Masters of the Universe" has found new life on streaming, topping Amazon Prime Video charts in dozens of countries since its July 22 debut.
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Christopher Nolan’s "The Odyssey" stands out as a unique historical spectacle, utilizing a fragmented narrative structure to reshape the classic Greek myth into a raw, intense survival story.
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The latest installment in the franchise, "Minions & Monsters," is an absolute blast that perfectly reignites the inner child in both kids and adults with its brilliant 1920s Hollywood setting.
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French director Sébastien Vaniček steps into the sandbox with "Evil Dead Burn," delivering a standalone supernatural nightmare that honors the franchise's legacy while injecting a distinct, claustrophobic identity.
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If there is one movie right now that is worth risking the terrible weather to go see in a theater, it is Olivia Wilde’s “The Invite.” Clocking in at a tight 1 hour and 47 minutes, this film is an absolute masterclass in tension, screenwriting and performance.
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Milly Alcock's "Supergirl" debuted well below expectations this weekend, finishing behind "Toy Story 5" as DC Studios co-CEO Peter Safran said the film is just one piece of a broader plan.
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You know what is worse than a bad film? It is a beautiful-looking film that ends up being a hollow, frustrating disappointment. Directed by Craig Gillespie (“I, Tonya,” “Cruella”), “Supergirl” has all the visual trim of an interstellar masterpiece, but it falls completely flat under the weight of an unearned, emotionally detached script.
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DC’s upcoming "Clayface" film leans heavily into horror and tragedy, positioning the classic villain as a fractured figure rather than a straightforward antagonist.
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