We are too young to understand certain things in life, but even as adults, we find it difficult to explain the simplest and most mundane things when asked by others, especially our children. This is mainly because we know the meaning of things by observation and not by definition. It’s like saying, “Sugar is sweet.” But what exactly is sweet? This idea is beautifully portrayed in “Shunya.”
I grew up acting and watching Gujarati theater dramas, so I’ve been a fan of the craft for a long time. “Shunya” feels like a film version of those beloved dramas, with the concept, theme, and dialogue expanded on a larger-than-life format: the cinema.
It’s a story about Anu, an eleven-year-old girl who is devastated by her grandmother’s disappearance, told to have gone to “God’s house.” Now, she runs away from her house and sets out on a journey with a Bhavai (Gujarati folk play) troupe to find God’s house to get her grandmother back, confronting the ideas of the illusion of life and the reality of death.
Having grown up amidst Gujarati culture, the film’s portrayal of familiar nuances felt like a warm embrace. The mini-calendar, a ubiquitous part of our lives, was a poignant touch. The film’s exploration of ‘Maya,’ the illusion of life, resonated deeply. It mirrors the human tendency to cling to the tangible, often overlooking the spiritual journey. Anu’s innocent perspective serves as a stark contrast to the world’s complexities, making the philosophical concepts accessible and thought-provoking.
The cinematography is a visual treat. The 1:4.3 aspect ratio lends a unique aesthetic to the film, transforming the screen into a live painting. The blend of traditional Gujarati elements with timeless storytelling techniques is commendable. The film captures the true essence of the not-trendy, the real Gujarat so very well!
Jia Sheth as Anu is a revelation. Her portrayal of childlike innocence and gradual understanding is mesmerizing. It’s baffling how she is able to show such genuine emotion at such a young age!
Mangesh Khopkar’s Kishan brings a quiet dignity to the screen. The entire Bhavai troupe delivers commendable performances, contributing to the film’s rich tapestry. Mehul Buch, as Anu’s father, though with limited screen time, leaves a lasting impression.
Vidar Joshi’s direction is masterful. He balances the delicate interplay between childlike wonder and profound philosophy with finesse. The film’s structure, weaving the Bhavai performances into the narrative, is ingenious. The attention to detail, from the cultural nuances to the emotional undercurrents, is commendable.
The film’s editing is masterful. It seamlessly weaves together the Bhavai performances and Anu’s narrative. This dynamic interplay creates a compelling rhythm that propels the story forward.
The conclusion is both dramatic and satisfying. Reminiscent of Bhavai’s grand finale, the ending culminates in a powerful monologue by Saheb that leaves a lasting impression.
“Shunya” is a cinematic gem that stays with you long after the credits roll, inviting contemplation and introspection. By exploring the complexities of life through a child’s eyes, the film offers a fresh perspective on a hero’s journey arc that is both heartwarming and thought-provoking.
We’re stuck in this cycle, and even with a choice, we’d still choose to remain stuck, and that is what this film talks about. We’re so busy counting numbers that we forget the one number we’re destined to reach. Zero. “Shunya.”
With its powerful performances, stunning visuals, and thought-provoking narrative, “Shunya” is a must-watch for those seeking an intellectually stimulating and emotionally resonant cinematic experience. I rate this film four and a half out of five stars for all its awesomeness!
What a beautifully written review. Agree with everything and I so enjoyed listening to Gujarati, the language I was brought up into but do not speak as much. A feeling of real homecoming watching the film.