“Jurassic World: Rebirth” tries to recapture Spielberg’s magic but doesn’t quite hit the mark. It feels flat compared to its predecessor. Read our review.
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June was Pride Month, and oh did Abbie Wells celebrate! She read many gay romance novels in June, along with some other works. Here are Abbie’s brief reviews.
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Joseph Kosinski's "F1" is an exciting film featuring Brad Pitt as Sonny Hayes. It looks great and moves quickly, but it doesn't explore the characters deeply. Overall, it's a fun movie with some weaknesses.
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There’s a moment in “Ballerina” — somewhere between the bloodstained elegance and the thunder of gunfire — where time seems to freeze. Anna de Armas stands at the center of it all, half-broken and fully dangerous, as if the entire weight of vengeance and vulnerability were stitched into the seams of her dress. And it hits you: this isn’t just another assassin flick from the world of “John Wick.” This is a fierce, tragic, hypnotic dance choreographed in rage and restraint.
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Wes Anderson’s “The Phoenician Scheme” is one of his funniest and most chaotic films in recent years. On the surface, it plays like a lighthearted caper, filled with ridiculous situations, sharp visual humor, and the kind of deadpan performances we’ve come to expect from him.
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May was a hectic month for me! I moved apartments, traveled back home, and managed to juggle three jobs. Despite all this, I still found time to read. Enjoy last month’s recap.
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“Karate Kid: Legends” is a fast-paced, entertaining martial arts flick — and as someone who’s never seen any of the previous “Karate Kid” films or the “Cobra Kai” series, I was pleasantly surprised by how much I enjoyed this on its own terms.
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I stumbled upon “Re-Routing” through a reel that highlighted its clever marketing — and something about it made me think, “Hey, this is worth checking out.”
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“Mission Impossible: The Final Reckoning” is a spectacular conclusion to the franchise, featuring Tom Cruise’s poignant performance as Ethan Hunt. Directed by Christopher McQuarrie, the film boasts thrilling stunts, impressive cinematography, and a strong ensemble cast. Read our review.
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“Final Destination: Bloodlines” attempts to revitalize the franchise by introducing a unique concept: death as an aware entity that targets descendants. While the film boasts commendable performances and stunning cinematography, it ultimately falls short due to its lackluster execution, uninspired death sequences, and a lack of compelling storytelling. As a result, it fails to capitalize on its potential for innovation, leaving viewers disappointed.
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