In times when the fourth installment of the film franchise ruins the franchise while trying to milk on the success of its predecessors, Despicable Me 4 arrives to prove everyone wrong.
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Indian cinema is shifting to this new fusion of old historic settings mixed with sci-fi, and “Kalki 2898 AD” is a new addition to this faction.
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After an episode that delves deep into themes of hubris, justification, and the burden of secrets, Eric Kripke and his writers follow up the sociopathic Freudian exploits of Homelander with mini vignettes in service to a cohesive story but does feel a bit bloated.
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Have you seen John Krasinski’s amazing 2018 masterpiece and its sequel and wondered how this world came to be? Well, you obviously know about the big origin of how meteor-like objects crash into the city and everyone goes quiet. But we’re not here to talk about those, are we?
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Amazon Prime’s “The Boys” 4×04, is a thrilling rollercoaster of unpredictability, a masterclass demonstrating how trauma and regrets can lead us down a rabbit hole of delirium. It’s a culmination of the overall narrative, finding solace in each plot thread introduced throughout the tapestry of the IP since the pilot.
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For years, I’ve heard arguments like “Films don’t really mean anything. They’re just entertainment devices,” and “Books are better than films because they improve your imagination,” which always makes me wonder: Why are people always fighting art vs. art?
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Have you ever wished you could see a movie that truly gets the “bros before everything” vibe? Well, look no further than “The Bikeriders!” Before we begin, this review contains spoilers, so spoiler alert!
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The iconic Bad Boys are back in “Ride or Die,” this time, it seems things haven’t gotten any less chaotic. We open with a classic scene: Mike Lowrey pushing the pedal to the metal and a familiar voice (Marcus Burnett, no doubt) hollering in the passenger seat to slow down. Been there, done that, right?
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The concept of “In A Violent Nature” poses an interesting question: What if a classic slasher horror took place almost exclusively from the killer’s perspective? The possibilities are fascinating, no doubt, and countless great stories could be told. However, after a relatively brief 90-minute foray into this concept, one might have second thoughts.
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One could confess that the fabric and integrity of DC comic media are currently in the midst of a change as the keys to the kingdom are now in the grip of Director James Gunn, Co-CEO with partner Peter Safran, who both have been working countless hours to achieve a fresh, organic take on the loveable blue boy scout, with a release date slated for July 11, 2025, during the self-apparent “Summer of Superman.”
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