I have used Telegram for about seven years now. I still have an account on this messaging app, even though it has become a spoilage of far-right extremists, conspiracy theorists and disinformation peddlers in Brazil.
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Marvel Studios’ “Guardians Of The Galaxy Vol. 3” is subtly perfect, reinforced by the heart and humanity of found family, coming to terms with oneself, and the value of closure.
As the third season of “Demon Slayer-Kimetsu no Yaiba” progresses, things slowly start to unravel in the second episode.
With so many challenges facing exhibitors right now, CinemaCon 2023 looks set to address these issues head-on and provide valuable information on how cinemas can continue innovating for a better future.
“Demon Slayer-Kimetsu no Yaiba,” the hit anime based on the Shonen Jump manga series written by Koyoharu Gotouge, has kicked off its first episode of third season in movie theaters nationwide. The theatrical release of the episode was titled “To the Swordsmith Village.”
You know that feeling when you’re walking down the street and you see your favorite artist’s name up in lights on a marquee sign — big bold letters in the sky and they exist for you to witness in real time?
I’ve been going to therapy. I know that this is an intimate statement to start an editorial with, but it’s important for what’s to come.
Released two years after Chadwick Boseman’s passing, “Black Panther: Wakanda Forever” serves as both a moving tribute to the late actor and a masterclass in how to grieve our departed loved ones without letting those emotions control us.
In November 1992, readers of “Superman no.75” (Dan Jurgens and Brett Breeding) looked up wide-eyed from the last pages of what is now regarded as one of the most significant issues in comics history.
After decades of struggling between a realistic setting with films like Christopher Nolan’s the Dark knight trilogy, “Watchmen,” Zack Snyder’s Superman trilogy, Matt Reeves’ Batman universe, Todd Phillips’ “Joker” and Marvel formulated camps like “Aquaman,” Alan Smithe’s “Suicide Squad” and R rated flicks like “Birds of Prey” and “The Suicide Squad,” DC has finally shifted it’s path and ushered towards a new era of fictional universe with the first film of phase 1 — “Black Adam.”
Director Jaume Collet-Serra showcases the morality of our favorite heroes while peeling back the sorrow-stricken pain of Black Adam, who has never been given his chance to shine until now. Most notably, the film works its best when every character is given a choice while traversing the gray confinement of good and evil.
Ayan Mukerji is among the big names in mainstream Bollywood, despite having only two films to his name prior to Brahmastra. Both have received critical acclaim and are popular with audiences. His directorial debut, “Wake up Sid,” cemented his place in Bollywood by demonstrating his ability to create characters with dreams and ambitions, as well as the perfect emotional setting.
In a way, the film is a reminder to look around and recognize the balance of strength and companionship in the presence of the allure of friends, loved ones, or our animals that can always understand the range of emotions slowly escaping our subconscious.
Opening weekend is behind us and the numbers look good for Disney and Marvel’s fourth solo outing for Thor, “Thor: Love and Thunder.”
Following horror traditions established by Stephen King and Clive Barker, as well as the writing philosophies of Vertigo Comics’ early creative heyday as DC Comics’ creator-owned and mature-readers imprint, comic writer Dan Watters has found his niche melding the two.
The Man of Steel.” “Truth and Justice.” “ The American Way.” These are three of the many taglines associated with Superman, the most famous DC Comics superhero. Though he may be seen as overpowered and boring, he has proven to be one of the most important characters in the past couple years.
