“Superman & Lois” is possibly one of The CW’s most impactful shows currently on air. It’s also one of the most expensive, costing the network nearly $5 million per episode to make, according to The Hollywood Reporter.
MoreYou might be interested in
DC Studios Co-Chairmen and CEOs James Gunn and Peter Safran announced plans for their first 10 film and television projects under the new DC banner they lead across film, television, and animation.
Round one of that showdown begins on Tuesday, February 14 with “Icon vs. Hardware no.1,” and DC’s got your first look at final covers and some great interior artwork.
The CW’s “Superman & Lois” has found their Lex Luthor. An EW exclusive revealed that Michael Cudlitz will be taking on the role of the Man of Steel’s ultimate rival for season 3.
Batman’s rational mind and unparalleled fighting skills are put to the ultimate test when an ancient force threatens his world and everyone he holds dear in “Batman: The Doom That Came To Gotham.”
A new, action-packed trailer for Marvel Studios’ “Ant-Man and The Wasp: Quantumania” debuted during Monday’s College Football Playoff National Championship.
Proximity Media and Marvel Entertainment released the official trailer for “Wakanda Forever: The Official Black Panther Podcast” yesterday.
Released two years after Chadwick Boseman’s passing, “Black Panther: Wakanda Forever” serves as both a moving tribute to the late actor and a masterclass in how to grieve our departed loved ones without letting those emotions control us.
It’s weird to think the “Death of Superman” event is 30 years old. The milestone event came in a time where the DC comics leadership wanted to seemingly shake up the status quo in the Superman universe. The sales for the Superman comics were nowhere close to those of the new crop of antiheroes that were dominating comics at the time such as Spawn, Wolverine and Punisher, all coming from rival comic publications.
In November 1992, readers of “Superman no.75” (Dan Jurgens and Brett Breeding) looked up wide-eyed from the last pages of what is now regarded as one of the most significant issues in comics history.
It was the year 1992, I was seven. I remember taking a break from chores to read the newspaper. I always had a habit of reading the arts and entertainment section, and there on the cover of the Virginian-Pilot was that symbol we all know too well. The red symbol of the House of EL written in blood with black behind it. It read “Superman is Dead.” I was shocked.
This isn’t something I’ve just started to think about; it always starts working in my brain whenever the anniversary pops around, DC reminds us, everyone starts posting their bagged issues with the gruesome bloody S on the front, etc.
Despite reading and collecting comic books since 1992, I still think of myself as a relative newbie to the hobby. After all, I know folks from my old comic shop who became fans in the Silver Age — they’re the veterans. (Plus, were the 90s really THAT long ago? Asking for a graying, thirtysomething friend.)
For two years running DC has produced Pride anthology comics celebrating DC’s library of LGBTQIA+ characters, and has garnered fan, media, and industry recognition for the volumes.
James Gunn and Peter Safran have been appointed to the new roles of Co-Chairmen and Chief Executive Officers of DC Studios, overseeing the overall creative direction of the DC Universe across film, TV and animation under a single banner.
